![]() ![]() Listen/Buy: Amazon | Apple Music | Bandcamp | Spotify | Tidal Núria Graham: Cyclamen It’s huge, cathartic, and proudly dopey, with a touch of fuck you for those who prefer their electronic music restrained. The highlight is “The Only Way Out,” which teases tiny snippets of a vocal sample, then comes with chord changes dramatic enough to soundtrack a power ballad, played on synths so distorted you might wonder whether you blew a speaker. The three tracks here are id-fueled and unpretentious, riding massive kick drums, sci-fi synth stabs, and chopped-up voices exhorting you to get loose and move your body. ![]() The Brislanta EP might be named after its two producers’ hometowns-Bristol for Sam Binga and Atlanta for Nikki Nair-but it takes much from raucous dance styles of other locales: Baltimore and Jersey club, New Orleans bounce, Miami bass, old-school New York electro. Pineapple Nikki Nair / Sam Binga: The Brislanta EP (Eventually, McKechnie’s Moog got sold to Tangerine Dream.) The second volume of McKechnie’s previously unreleased tapes is a fascinating snapshot of an autodidact inventing his own language for a brand-new instrument, tapping into the kinds of pulses that still animate new-age and cosmic synth music over half a century later. McKechnie demonstrated the machine’s psychedelic potential at art museums and hippie happenings around the Bay Area he even got booked at Altamont, though his set was aborted just seconds in. In the late ’60s, thanks to a deep-pocketed roommate, he got his hands on the fourth Modular Series III System to roll out of Robert Moog’s workshop. 2: 1968-72ĭoug McKechnie is the synth pioneer you’ve probably never heard of. Listen/Buy: Amazon | Apple Music | Bandcamp | Spotify Doug McKechnie: The Complete San Francisco Moog Vol. Birds (in my mind anyway) could easily pass for a forgotten cult classic of the mid ’90s-the kind of record passed along by devoted fans, from dubbed cassette to dubbed cassette, that grows in warmth as it gathers tape hiss. This album for Copenhagen’s Tartelet label flits between ambient-techno soundscaping and leftfield bass music the production’s muted qualities are reminiscent of certain strains of vintage electronica, when hardware synths and samplers, rather than laptops, were standard issue. Her own music as Doc Sleep is equally distinctive. ![]() The Jacktone label, co-run by Melissa Maristuen, is home to a wealth of idiosyncratic electronic music from under-the-radar acts like juneunit and gayphextwin. Tartelet Doc Sleep: Birds (in my mind anyway) ![]()
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